#
Title
Time
A1
Diferencias Sobre »Guárdame Las Vacas«
Composed By – Antonio de Cabezón
Organ [Organo Del S.t.m.b. De La Seo, Zaragoza] – Julio-M. García Llovera
04:04
A2
Tiento De Primer Tono
Composed By – Antonio de Cabezón
Organ [Kaiserorgel, Toledo] – Julio-M. García Llovera
02:07
A3
Tiento De Séptimo Tono
Composed By – Garcia de Baeza
Organ [Kaiserorgel, Toledo] – Julio-M. García Llovera
03:15
A4
Tiento De Sexto Tono
Composed By – Francisco de Soto
Organ [Kaiserorgel, Toledo] – Julio-M. García Llovera
03:21
A5
Verso De Quinto Tono
Composed By – Cristóbal de Morales
Organ [Kaiserorgel, Toledo], Transcription By – Julio-M. García Llovera
01:06
A6
Glosado Del Verso De Morales
Composed By – Palero
Organ [Kaiserorgel, Toledo] – Julio-M. García Llovera
01:11
A7
Salmo II »Qui Habitat«
Composed By – Luys Alberto
Organ [Organo Del S.t.m.b. De La Seo, Zaragoza], Transcription By – Julio-M. García Llovera
02:36
A8
Tiento De Sexto Tono
Composed By – Estacio de Lacerna
Organ [Kaiserorgel, Toledo] – Julio-M. García Llovera
04:25
B1
Tiento De Sexto Tono
Composed By – Antonio de Cabezón
08:33
B2
Tres »Sobre El Canto Llano De La Alta«
Composed By – Antonio de Cabezón
02:16
B3
Diferencias Sobre El »Canto Del Cavallero«
Composed By – Antonio de Cabezón
02:59
B4
Exemplo Del Modo Primero Por Elami
Composed By – Fray Juan Bermudo
Transcription By – Enrique Gisbert
01:27
B5
Fantasía, Nr. 3
Composed By – Tomás de Santa Maria
01:48
B6
Fantasía, Nr. 9
Composed By – Tomás de Santa Maria
01:31
B7
Tiento Sobre »Cum Sancto Spiritu« De La Misa De Beata Virgine De Iusquin
Composed By – Palero
04:05
B8
Tiento De Medio Registro Alto De Primer Tono
Composed By – Francisco Peraza
Transcription By – Pedrell
03:30